Biography —
Noriko Ogawa has achieved considerable renown throughout the world since her success at the Leeds International Piano Competition. Noriko’s “ravishingly poetic playing” (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records (“If you like your Debussy to sound like the musical equivalent of a chilled white wine, Noriko Ogawa is the pianist for you” Roger Vignoles, BBC Radio 3, CD Review), confirms her as a fine Debussy specialist.
As an exclusive recording artist for BIS Records, Noriko’s most recent discs were music by Xiaogang Ye with the Royal Scottish National Orchestra, released in June 2022, and the fifth volume in her series of Erik Satie’s piano music, released in March 2022. Ranging from Mozart, Rachmaninov, Satie, Debussy to contemporary composers including Alexander Tcherepnin, Vagn Holmboe, and Yoshihiro Kanno, Noriko boasts a prolific catalogue of over 30 albums. Her discography includes Takemitsu’s Riverrun (Editor’s Choice, Gramophone), Mussorgsky’s Pictures from an Exhibition (Critics’ Choice, BBC Music Magazine), critically acclaimed Debussy’s complete piano music, and a complete set of Eric Satie’s music for solo piano.
As a regular Professor and sought-after guest educator, Noriko is a professor at the Guildhall School of Music and Drama, Tokyo College of Music and Music Director of Hamamatsu International Piano Academy. Noriko is a Visiting Professor for Yamaha Masterclasses and at Chetham’s International Piano Summer School, where she will return this summer. Other teaching commitments this season include the Yeon Cheon Piano Academy in Korea.
In addition to her busy performing and teaching career, Noriko regularly judges at international competitions. Recent adjudications include Rubinstein Piano Competition, Cleveland International Piano Competition, Leeds International Piano Competition, Japan National Music Competition, International Edvard Grieg Competition in Norway, International Paderewski Piano Competition, ARD International Music Competition, Honens International Piano Competition, Xiamen International Piano Competition, and the Scottish International Piano Competition. Noriko is also a former chairperson for the Hamamatsu International Piano Competition.
Highlights of the 23/24 season include performances at Wigmore Hall, Oxford Piano Festival, premiering a new sonata by Joseph Phibbs in Japan, UK tour with saxophonist Huw Wiggin, concerto performances with Sendai Philharmonic and Kawasaki Symphony Orchestra, and various adjudication including Singapore National Piano and Violin Competition, Japan National Music Competition and International Keyboard Institute & Festival Korea. Noriko also presented the Hamamatsu International Piano Competition’s first UK gala concert at Kings Place with 2018 Hamamatsu competition winner, Can Çakmur.
In 2025, Noriko performed the world premiere of Yoshihiro Kanno’s Piano Concerto No. 1 ‘Mirror Maze’ with the Tokyo Symphony Orchestra. This season also saw Noriko perform a series of recitals in the Channel Islands, along with adjudication positions at several prestigious competitions including at the Singapore International Piano Competition, the Kawai International Piano Competition and the Dublin International Piano Competition.
Noriko is passionate about charity work, particularly after the earthquake and tsunami which devastated Japan in early 2011. Since the earthquake she has raised over £40,000 for the British Red Cross Japan Tsunami Fund and is keen to keep fundraising. Noriko also founded Jamie’s Concerts, a series for autistic children and parents, and is a Cultural Ambassador for the National Autistic Society.
Reviews —
What sets her apart from other pianists is her wonderful sense of timing… [Ogawa] allows the music to breathe, while maintaining the forward momentum
The Times
…just one of myriad spell-binding moments where clarity of local detail, a broader sense of gesture and an awareness of the structural whole are in perfect alliance, supported by superb sound.
Christopher Dingle, BBC Music Magazine
The soloist, Noriko Ogawa, played with crystalline precision in striking music that alternates between percussive chords and floating melismas
The Observer
Ampere is another wicked puppet show, the string-puller the fearless Noriko Ogawa, whose jolts at the piano are virtuosically pursued by the orchestra for 25 minutes of teasing charm…
Neil Fisher, The Times
Ogawa’s play was precise and her style elegant, as her hands moved lightly and with great economy over the keyboard. Most impressive was her interpretation of Debussy’s fantastical La cathédrale engloutie, with its ghostly reverberating “organ” chords as the undersea cathedral rose from the depths of the ocean.
Art Muse London
Ogawa is unfailingly beautiful, truly poetic
Christopher Howell, Music Web International
…poetic and virtuoso performance…
Waikato Times
Noriko Ogawa demonstrated exquisite tonal control and musical clarity, with some delightful bass sonorities, bright droplets of sound, and elegantly nuanced layers and textures… Noriko Ogawa performed them with obvious humour, warmth and charm, underpinned by expert and tasteful pedalling and superb technical facility.
Frances Wilson, Bachtrack
Noriko Ogawa's superb performance of Tchaikovsky's Piano Concerto No. 1 held the audience in rapt attention, as she followed the constantly shifting emotional and stylistic contours. The virtuosity of her playing never drew attention to itself but recreated the moods with transparency.
Nottingham Evening Post
Ogawa’s playing has immense sensitivity and command – an excellent start to this cycle.
Gramophone