Noriko Ogawa‘s most recent concert at the Muza Kawasaki Symphony Hall in Japan has been reviewed in the June 2026 issue of Ongaku no Tomo (translated from Japanese):
“…they represent the pinnacle of what Brahms achieved both technically and musically, only a pianist who has deeply researched and understood Brahms’s music from its innermost layers could reveal their true essence. It was a jewel-like Brahms performance worthy of special attention.”
(translated from Japanese)
