Since his success as joint winner of the 1982 International Tchaikovsky Competition, Peter has gained international renown as one of the foremost pianists of our time, for his musicianship, stylistic versatility and commanding technique.
Peter Donohoe was born in Manchester in 1953. He studied at Chetham’s School of Music for seven years, graduated in music at Leeds University, and went on to study at the Royal Northern College of Music with Derek Wyndham and then in Paris with Olivier Messiaen and Yvonne Loriod. He is acclaimed as one of the foremost pianists of our time, for his musicianship, stylistic versatility and commanding technique.
In recent seasons Donohoe has appeared with the Dresden Philharmonic Orchestra, the BBC Concert Orchestra, the Cape Town Philharmonic Orchestra, the St Petersburg Philharmonia, RTE National Symphony Orchestra, the Belarusian State Symphony Orchestra, the BBC Philharmonic Orchestra and CBSO, a UK tour with the Russian State Philharmonic Orchestra, as well as concerts in South America, Europe, Hong Kong, South Korea, Russia, and the USA. Other engagements include performances of all three MacMillian piano concertos with the BBC Scottish Symphony Orchestra, a series of concerts for the Ravel and Rachmaninov Festival at Bridgewater Hall alongside Noriko Ogawa, and numerous performances with The Orchestra of the Swan. Donohoe is also in high demand as an adjudicator at piano competitions around the world. Donohoe’s recent competitions have been the International Tchaikovsky Piano Competition, Moscow, the Queen Elisabeth Competition, Belgium, and the Hong Kong International Piano Competition.
Recent discs include a new disc of Shostakovich’s 24 Preludes and Fugues (Signum Records), which was described as ‘thoughtful and poignant’ by The Guardian; a disc of Scriabin Piano Sonatas (SOMM Records) which was called ‘magnificent’ by the Sunday Times; a recording of Witold Maliszewski’s Piano Concerto in B flat minor with the Royal Scottish National Orchestra conducted by Martin Yates (Dutton Vocalion); and three discs of Prokofiev piano sonatas for SOMM Records, the third of which was released at the end of April 2016. The first Prokofiev disc was described by Gramophone as ‘devastatingly effective’, declaring Donohoe to be ‘in his element’, and a review in Classical Notes identified Donohoe’s ‘remarkably sensitive approach to even the most virtuosic of repertoire’. His second Prokofiev disc was given 5 stars by BBC Music Magazine, and the third disc was highly praised by The Times, Birmingham Post, and Jessica Duchen. Other recordings include Cyril Scott’s Piano Concerto with the BBC Concert Orchestra and Martin Yates (Dutton Vocalion), and Malcolm Arnold’s Fantasy on a Theme of John Field with the Royal Scottish National Orchestra and Martin Yates (also Dutton), for which BBC Music Magazine described him as an ‘excellent soloist’, and Gramophone stated that it ‘compelled from start to finish’.
Donohoe has performed with all the major London orchestras, as well as orchestras from across the world such as Royal Concertgebouw, Leipzig Gewandhaus, Munich Philharmonic, Swedish Radio, Orchestre Philharmonique de Radio France, Vienna Symphony and Czech Philharmonic Orchestras. He has also played with the Berliner Philharmoniker in Sir Simon Rattle’s opening concerts as Music Director. He made his twenty-second appearance at the BBC Proms in 2012 and has appeared at many other festivals including six consecutive visits to the Edinburgh Festival, La Roque d’Anthéron in France, and at the Ruhr and Schleswig Holstein Festivals in Germany. In the United States, his appearances have included the Los Angeles Philharmonic, Boston, Chicago, Pittsburgh, Cleveland and Detroit Symphony Orchestras. Peter Donohoe also performs numerous recitals internationally and continues working with his long standing duo partner Martin Roscoe, as well as more recent collaborations with artists such as Raphael Wallfisch, Elizabeth Watts and Noriko Ogawa.
Donohoe has worked with many of the world’s greatest conductors: Christoph Eschenbach, Neeme Jarvi, Lorin Maazel, Kurt Masur, Andrew Davis and Yevgeny Svetlanov. More recently he has appeared as soloist with the next generation of excellent conductors such as Gustavo Dudamel, Robin Ticciati and Daniel Harding.
Peter Donohoe is an honorary doctor of music at seven UK universities, and was awarded a CBE for services to classical music in the 2010 New Year’s Honours List.
I cannot imagine a living pianist capable of improving upon Donohoe’s outstanding artistry.
Robert Matthew-Walker, Musical Opinion, January 2017
Donohoe achieves what must be a perfect realisation of Prokofiev’s emotions, style and state of mind.
Quarterly Review on Peter's Prokofiev Sonatas disc (Volume 2)
Donohoe was the complete virtuoso in this celebrated concerto, his incomparable delicacy of touch and beauty of tone especially noticeable in the composed cadenza of the first movement
Cambridge News on Peter's performance of Schumann's Piano Concerto with the Dresden Philharmonic Orchestra
Donohoe’s performance was monumental, rhythmically charged, beautifully nuanced and utterly compelling
Ken Walton, The Scotsman
Donohoe was finely attuned to Prokofiev’s expressive lyricism and humour… here he appears to have regained a fluency and unselfconscious approach to this music, bringing its expression to full bloom.
BBC Music Magazine, 5*, on Peter's Prokofiev Sonatas disc (Volume 2)
One of our greatest home grown performers
Petroc Trelawny, BBC Radio 3
Donohoe gave one of those performances, unfortunately rare in the concert hall, with which it was impossible to find fault.
Seen and Heard International
Peter Donohoe played as if visited by the spirit of Rachmaninov…The fire and passion of the closing part of the last movement brought the performance to a magnificent climax. Not surprisingly, the audience erupted
Ravel's music was brought to life with delicacy, clarity and dazzling virtuosity. I was struck by the maturity and masterly precision so audible in his playing, alongside the brilliance and imagination that always were there in abundance.
Robert Beale, Manchester Evening News
Donohoe’s delivery of the solo part was formidable, crisply articulated, dynamics beautifully judged.
Donohoe always sets the right tone, sometimes – most befittingly – with a wink.
Donohoe is very special. He's a lion of the keyboard, but he's also a poet. From Donohoe you will experience thunder and steel; but you will also experience exquisite lyricism and sensitivity. There's something about his playing that suggests him as the man for this mission…Expect insights galore.
Michael Tumelty, The Herald, Scotland
...an atmosphere of Mozartian delicacy, simplicity and beauty prevailed, was convincingly communicated by Donohoe.