The Piatti Quartet are one of the most distinguished quartets of their generation. Prizewinners of the 2015 Wigmore Hall String Quartet Competition, they have performed in all the major venues and festivals around the country as well as concerts throughout the world.
Michael Trainor, violin
Emily Holland, violin
Miguel Sobrinho, viola
Jessie Ann Richardson, cello
Resident Quartet at Kings Place, London, the distinguished Piatti Quartet are widely renowned for their ‘profound music making’ (The Strad) and their ‘lyrical warmth’ (BBC Music Magazine). Since their prizewinning performances at the 2015 Wigmore Hall International String Quartet Competition, they have performed all over the world with numerous international broadcasts.
The Piattis are famed for their diverse programming and passionate interpretations across the spectrum of quartet writing with commissions and recordings of some of the most major and impressive works added to the quartet canon in recent years.
Since their inception they have always had projects in the recording studio with critically acclaimed releases through a multitude of classical music’s top recording labels. Their wide ranging discography and repertoire is thanks to their enthusiasm and curiosity in collaborating with a broad range of artists including some of the most recognisable names in classical music. Recent accolades include five star BBC Magazine reviews for 2023 Mark-Anthony Turnage: Winter’s Edge, 2024 Joseph Phibbs: Quartets and Ned Rorem: Choral Works with St. Martin’s Voices, a Presto Music Award as one of the ‘Top 10 Recordings of the Year 2023’, and a nomination for ‘Recording of the Year’ with both Limelight and Gramophone for their 2022 collaborative disc with Nicky Spence and Julius Drake on the Hyperion label. This same album entitled ‘On Wenlock Edge’ was also singled out as one of the top 20 Ralph Vaughan Williams’ recordings of all time with Gramophone Magazine. Their follow up album, Fauré: La Bonne Chanson & Other Songs, has been shortlisted for the 2025 Gramophone Awards.
Contemporary music has been ever present in their repertoire and leaving a legacy to the quartet genre through commissions is one of the quartet’s central tenets. Major commissions and dedications have stemmed from Mark-Anthony Turnage, Emily Howard, Charlotte Harding, and Joseph Phibbs whilst they have premiered a mesmerising number of new works over the years beginning with Anna Meredith back in 2009. The Concertgebouw Amsterdam, Flagey Radio Hall Brussels, Wigmore Hall London, and the Aldeburgh Festival are some of the high profile occasions where new music has been presented and recordings of Turnage, Phibbs, and Gavin Higgins’ chamber music has also been extensively lauded by critics. After the UK premiere Julian Anderson’s Ice Quartet, the composer himself described them as ‘living treasures of chamber music.’
Historical research into quartet music that has been undiscovered or deserves to be better known has led to the premiere recording of Irish composer Ina Boyle’s String Quartet in E Minor, Louise Farrenc’s Piano Quintet in C minor, and performances of lesser known quartet gems by Ralph Vaughan Williams, E.J. Moeran, Rachmaninov, Ireland, Haas, Ulmann, and Durosoir.
The quartet’s name is dedicated to Alfredo Piatti, a 19th Century virtuoso cellist who was a professor at the Royal Academy of Music (the alma mater of the founders of the quartet) and also a major exponent of chamber music and contemporary music of his time.
Recent highlights includes the quartet’s ongoing residency at Kings Place alongside performances at Brighton Festival, Buxton Festival, Wigmore Hall, and Oxford International Song Festival. Upcoming events for the 25/26 season onwards involves a return to Amsterdam at the Muziekgebouw aan ‘t IJ, tours of Ireland and South America, and album releases on Signum Classics, Rubicon, and Chandos Records.
The Piatti Quartet… more than do justice to this music, imbued as it is with no small amount of drama, soul and great beauty
BBC Music Magazine
Leader Michael Trainor had a superb evening, his marvellous tone, dead-centre intonation and lyrical phrasing, all perfect for this music. Like his colleagues, he could not always suppress the smile provoked by the music.
I have several favorite string quartets whose recordings I extol all the time, but the Piatti Quartet is surely one of the very best - ever. Their playing of these string quartets is beyond awesome; it is simply out of this world
David Rowe, Classical Review CD
wonderfully subtle perceptiveness
BBC Music Magazine
The rich, mutual understanding they share readily communicates to the listener
BBC Music Magazine
[The Piatti Quartet] master these challenges with technical finesse and deepening verve in their performance, so that they intensively explore and present the life-affirming and sometimes downright lively movements, without failing to characterize the passages with lyrical warmth and rich playing.
The Piatti Quartet... play superbly throughout with wonderful warmth of tone and precision... Excellent music, superbly played and produced.
Gramophone
This CD [Albion Refracted] contains daring, challenging, emotionally heavily loaded and occasionally, misty and extremely complex music for the enthusiast, played by four top musicians.
Stretto
A signally impressive young ensemble
The Sunday Times
This youthful quartet treated us to one of the most spirited and engaging performances I have ever experienced, bringing a wonderful joie de vivre to the music.
The Northern Echo
The Piatti Quartet are on ferociously fine form
Kate Wakeling, BBC Music Magazine
Musically compelling
The Strad
…this splendid young ensemble brought lyrical warmth and a gripping urgency.
The Evening Standard
…a dashing and sensuous account of Brahms’ String Sextet No. 2…
The Guardian
The Piatti Quartet open the Eb major Quartet No.5 with such commitment and perfect ensemble…
Gramophone
Selected Discography —
Resonance
Gramophone
The Piatti make every phrase sing, moulding their lines elegantly over Despax’s sparkling, transparent streams of piano figuration... A haunting encore to a life-affirming recording.
The Piatti Quartet… steps effortlessly into this very different music. I can think of no higher compliment than to say that their profound musicianship and selfless playing allow these elemental, radiant and intense works to speak directly to the listener in the most rewarding way possible. They deserve our heartfelt gratitude for their advocacy and the all-round excellence of their playing
The cycle’s nine songs form an irrepressible exclamation of love bursting through the composer’s customary nonchalance. […] This is Fauré for the concert hall rather than the drawing room, big-hearted, yet with no lack of nuance.
The Piatti Quartet, who received the Sidney Griller Award for their performance of Turnage’s work at the 2015 Wigmore Hall International String Quartet Competition, offer a highly sensitised and nuanced reading.
Winter’s Edge, performed here with passionate dexterity by the Piatti Quartet…..In the capable hands of the Piatti, it’s suffused with energy and purpose...
The dedication of the performers ... and the clarity and immediacy of the recording, are all highly impressive. Those drawn to music whose contemporaneity does not exclude accessibility should certainly investigate.
In Hausmusik such as this, the challenge falls firmly on the performers rather than the listeners, and Bizjak, Trotovšek and their accomplices in the Piatti Quartet meet the music’s technical demands admirably.
Mendelssohn: String Quartet Op.44, No.3 in E flat major
“The Piatti Quartet open with such commitment and perfect ensemble that you might think you were listening to a small, perfectly homogenous string orchestra….”